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The Voice of the City | O Henry | |
The Defeat Of The City |
Page 3 of 4 |
The old voices of the soil spoke to him. Leaf and bud and blossom conversed with him in the old vocabulary of his careless youth - the inanimate things, the familiar stones and rails, the gates and furrows and roofs and turns of the road had an eloquence, too, and a power in the transformation. The country had smiled and he had felt the breath of it, and his heart was drawn as if in a moment back to his old love. The city was far away. This rural atavism, then, seized Robert Walmsley and possessed him. A queer thing he noticed in connection with it was that Alicia, sitting at his side, suddenly seemed to him a stranger. She did not belong to this recurrent phase. Never before had she seemed so remote, so colorless and high - so intangible and unreal. And yet he had never admired her more than when she sat there by him in the rickety spring wagon, chiming no more with his mood and with her environment than the Matterhorn chimes with a peasant's cabbage garden. That night when the greetings and the supper were over, the entire family, including Buff, the yellow dog, bestrewed itself upon the front porch. Alicia, not haughty but silent, sat in the shadow dressed in an exquisite pale-gray tea gown. Robert's mother discoursed to her happily concerning marmalade and lumbago. Tom sat on the top step; Sisters Millie and Pam on the lowest step to catch the lightning bugs. Mother had the willow rocker. Father sat in the big armchair with one of its arms gone. Buff sprawled in the middle of the porch in everybody's way. The twilight pixies and pucks stole forth unseen and plunged other poignant shafts of memory into the heart of Robert. A rural madness entered his soul. The city was far away. |
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The Voice of the City O Henry |
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