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In Kensington, a suburb of London, in a two-story-and-a-half stone
house, cream-colored, lives Jean Ingelow. Tasteful grounds are in
front of the home, and in the rear a large lawn bordered with many
flowers, and conservatories; a real English garden, soft as velvet,
and fragrant as new-mown hay. The house is fit for a poet; roomy,
cheerful, and filled with flowers. One end of the large, double
parlors seemed a bank of azalias and honeysuckles, while great bunches
of yellow primrose and blue forget-me-not were on the tables and in
the bay-windows.
But most interesting of all was the poet herself, in middle life, with
fine, womanly face, friendly manner, and cultivated mind. For an hour
we talked of many things in both countries. Miss Ingelow showed great
familiarity with American literature and with our national questions.
While everything about her indicated deep love for poetry, and a keen
sense of the beautiful, her conversation, fluent and admirable,
showed her to be eminently practical and sensible, without a touch of
sentimentality. Her first work in life seems to be the making of her
two brothers happy in the home. She usually spends her forenoons
in writing. She does her literary work thoroughly, keeping her
productions a long time before they are put into print. As she is
never in robust health, she gives little time to society, and passes
her winters in the South of France or Italy. A letter dated Feb. 25,
from the Alps Maritime, at Cannes, says, "This lovely spot is full of
flowers, birds, and butterflies." Who that recalls her Songs on
the Voices of Birds, the blackbird, and the nightingale, will not
appreciate her happiness with such surroundings?
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