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The Country of the Pointed Firs Sarah Orne Jewett

Along Shore


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"What are the painted stakes for, down in the field?" I hastened to ask, and he came out a step or two along the path to see; and looked at the stakes as if his attention were called to them for the first time.

"Folks laughed at me when I first bought this place an' come here to live," he explained. "They said 'twa'n't no kind of a field privilege at all; no place to raise anything, all full o' stones. I was aware 'twas good land, an' I worked some on it--odd times when I didn't have nothin' else on hand--till I cleared them loose stones all out. You never see a prettier piece than 'tis now; now did ye? Well, as for them painted marks, them's my buoys. I struck on to some heavy rocks that didn't show none, but a plow'd be liable to ground on 'em, an' so I ketched holt an' buoyed 'em same's you see. They don't trouble me no more'n if they wa'n't there."

"You haven't been to sea for nothing," I said laughing.

"One trade helps another," said Elijah with an amiable smile. "Come right in an' set down. Come in an' rest ye," he exclaimed, and led the way into his comfortable kitchen. The sunshine poured in at the two further windows, and a cat was curled up sound asleep on the table that stood between them. There was a new-looking light oilcloth of a tiled pattern on the floor, and a crockery teapot, large for a household of only one person, stood on the bright stove. I ventured to say that somebody must be a very good housekeeper.

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"That's me," acknowledged the old fisherman with frankness. "There ain't nobody here but me. I try to keep things looking right, same's poor dear left 'em. You set down here in this chair, then you can look off an' see the water. None on 'em thought I was goin' to get along alone, no way, but I wa'n't goin' to have my house turned upsi' down an' all changed about; no, not to please nobody. I was the only one knew just how she liked to have things set, poor dear, an' I said I was goin' to make shift, and I have made shift. I'd rather tough it out alone." And he sighed heavily, as if to sigh were his familiar consolation.

We were both silent for a minute; the old man looked out the window, as if he had forgotten I was there.

"You must miss her very much?" I said at last.

"I do miss her," he answered, and sighed again. "Folks all kep' repeatin' that time would ease me, but I can't find it does. No, I miss her just the same every day."

"How long is it since she died?" I asked.

"Eight year now, come the first of October. It don't seem near so long. I've got a sister that comes and stops 'long o' me a little spell, spring an' fall, an' odd times if I send after her. I ain't near so good a hand to sew as I be to knit, and she's very quick to set everything to rights. She's a married woman with a family; her son's folks lives at home, an' I can't make no great claim on her time. But it makes me a kind o' good excuse, when I do send, to help her a little; she ain't none too well off. Poor dear always liked her, and we used to contrive our ways together. 'Tis full as easy to be alone. I set here an' think it all over, an' think considerable when the weather's bad to go outside. I get so some days it feels as if poor dear might step right back into this kitchen. I keep a-watchin' them doors as if she might step in to ary one. Yes, ma'am, I keep a-lookin' off an' droppin' o' my stitches; that's just how it seems. I can't git over losin' of her no way nor no how. Yes, ma'am, that's just how it seems to me."

 
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The Country of the Pointed Firs
Sarah Orne Jewett

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