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Fire-Tongue | Sax Rohmer | |
The Catastrophe |
Page 3 of 5 |
Fate was with him, for almost immediately he detected a smooth, musical voice speaking in the room beyond. A woman's voice answered and, listening intently, he detected the sound of a closing door. Thereupon he acted: with the result, as has appeared, that Phil Abingdon, hatless, without her furs, breathless and more frightened than she had ever been in her life, presently found herself driving a luxurious Rolls Royce out of a roofless barn on to the highroad, and down the slope to Claybury station. It was at about this time, or a little later, that Paul Harley put into execution a project which he had formed. The ventilator above the divan, which he had determined to be the spy-hole through which his every movement was watched, had an ornamental framework studded with metal knobs. He had recently discovered an electric bell-push in the centre panel of the massive door of his prison. Inwardly on fire, imagining a thousand and one horrors centring about the figure of Phil Abingdon, but retaining his outward calm by dint of a giant effort, he pressed this bell and waited. Perhaps two minutes elapsed. Then the glass doors beyond the gilded screen were drawn open, and the now-familiar voice spoke: "Mr. Paul Harley?" "Yes," he replied, "I have made my final decision." "And that is? "I agree." "You are wise," the voice replied. "A statement will be placed before you for signature. When you have signed it, ring the bell again, and in a few minutes you will be free." |
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Fire-Tongue Sax Rohmer |
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