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And so Enoch Robinson stayed in the New York
room among the people of his fancy, playing with
them, talking to them, happy as a child is happy.
They were an odd lot, Enoch's people. They were
made, I suppose, out of real people he had seen and
who had for some obscure reason made an appeal
to him. There was a woman with a sword in her
hand, an old man with a long white beard who went
about followed by a dog, a young girl whose stockings
were always coming down and hanging over
her shoe tops. There must have been two dozen of
the shadow people, invented by the child-mind of
Enoch Robinson, who lived in the room with him.
And Enoch was happy. Into the room he went
and locked the door. With an absurd air of importance
he talked aloud, giving instructions, making
comments on life. He was happy and satisfied to go
on making his living in the advertising place until
something happened. Of course something did happen.
That is why he went back to live in Winesburg
and why we know about him. The thing that happened
was a woman. It would be that way. He was
too happy. Something had to come into his world.
Something had to drive him out of the New York
room to live out his life an obscure, jerky little figure,
bobbing up and down on the streets of an Ohio
town at evening when the sun was going down behind
the roof of Wesley Moyer's livery barn.
About the thing that happened. Enoch told George
Willard about it one night. He wanted to talk to
someone, and he chose the young newspaper reporter
because the two happened to be thrown together
at a time when the younger man was in a
mood to understand.
Youthful sadness, young man's sadness, the sadness
of a growing boy in a village at the year's end,
opened the lips of the old man. The sadness was in
the heart of George Willard and was without meaning,
but it appealed to Enoch Robinson.
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