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My Aunt Margaret's Mirror | Sir Walter Scott | |
Aunt Margaret's Mirror |
Page 3 of 6 |
The brown or chocolate-coloured silk gown, with ruffles of the same stuff at the elbow, within which are others of Mechlin lace; the black silk gloves, or mitts; the white hair combed back upon a roll; and the cap of spotless cambric, which closes around the venerable countenance--as they were not the costume of 1780, so neither were they that of 1826; they are altogether a style peculiar to the individual Aunt Margaret. There she still sits, as she sat thirty years since, with her wheel or the stocking, which she works by the fire in winter and by the window in summer; or, perhaps, venturing as far as the porch in an unusually fine summer evening. Her frame, like some well-constructed piece of mechanics, still performs the operations for which it had seemed destined--going its round with an activity which is gradually diminished, yet indicating no probability that it will soon come to a period. The solicitude and affection which had made Aunt Margaret the willing slave to the inflictions of a whole nursery, have now for their object the health and comfort of one old and infirm man-- the last remaining relative of her family, and the only one who can still find interest in the traditional stores which she hoards, as some miser hides the gold which he desires that no one should enjoy after his death. |
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My Aunt Margaret's Mirror Sir Walter Scott |
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