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Oldport Days | Thomas Wentworth Higginson | |
A Drift-Wood Fire |
Page 2 of 9 |
It is the crowning fascination of the sea, the consummation of such might in such infantine delicacy. You may notice it again in the summer, when our bay is thronged for miles on miles with inch-long jelly-fishes,--lovely creatures, in shape like disembodied gooseberries, and shot through and through in the sunlight with all manner of blue and golden glistenings, and bearing tiny rows of fringing oars that tremble like a baby's eyelids. There is less of gross substance in them than in any other created thing,--mere water and outline, destined to perish at a touch, but seemingly never touching, for they float secure, finding no conceivable cradle so soft as this awful sea. They are like melodies amid Beethoven's Symphonies, or like the songs that wander through Shakespeare, and that seem things too fragile to risk near Cleopatra's passion and Hamlet's woe. Thus tender is the touch of ocean; and look, how around this piece of oaken timber, twisted and torn and furrowed,--its iron bolts snapped across as if bitten,--there is yet twined a gay garland of ribbon-weed, bearing on its trailing stem a cluster of bright shells, like a mermaid's chatelaine. Thus adorned, we place it on the blaze. As night gathers without, the gale rises. It is a season of uneasy winds, and of strange, rainless storms, which perplex the fishermen, and indicate rough weather out at sea. As the house trembles and the windows rattle, we turn towards the fire with a feeling of safety. Representing the fiercest of all dangers, it yet expresses security and comfort. |
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Oldport Days Thomas Wentworth Higginson |
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