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Alexandria And Her Schools | Charles Kingsley | |
Lecture III--Neoplatonism |
Page 8 of 16 |
And how to answer that last question was the abysmal problem of the whole of Neoplatonic philosophy, in searching for which it wearied itself out, generation after generation, till tired equally of seeking and of speaking, it fairly lay down and died. In proportion as it refused to acknowledge a common divine nature with the degraded mass, it deserted its first healthy instinct, which told it that the spiritual world is identical with the moral world, with right, love, justice; it tried to find new definitions for the spiritual; it conceived it to be identical with the intellectual. That did not satisfy its heart. It had to repeople the spiritual world, which it had emptied of its proper denizens, with ghosts; to reinvent the old daemonologies and polytheisms--from thence to descend into lower depths, of which we will speak hereafter. But in the meanwhile we must look at another quarrel which arose between the two twin schools of Alexandria. The Neoplatonists said that there is a divine element in man. The Christian philosophers assented fervently, and raised the old disagreeable question: "Is it in every man? In the publicans and harlots as well as in the philosophers? We say that it is." And there again the Neoplatonist finds it over hard to assent to a doctrine, equally contrary to outward appearance, and galling to Pharisaic pride; and enters into a hundred honest self-puzzles and self-contradictions, which seem to justify him at last in saying, No. It is in the philosopher, who is ready by nature, as Plotinus has it, and as it were furnished with wings, and not needing to sever himself from matter like the rest, but disposed already to ascend to that which is above. And in a degree too, it is in the "lover," who, according to Plotinus, has a certain innate recollection of beauty, and hovers round it, and desires it, wherever he sees it. Him you may raise to the apprehension of the one incorporeal Beauty, by teaching him to separate beauty from the various objects in which it appears scattered and divided. And it is even in the third class, the lowest of whom there is hope, namely, the musical man, capable of being passively affected by beauty, without having any active appetite for it; the sentimentalist, in short, as we should call him nowadays. |
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Alexandria And Her Schools Charles Kingsley |
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