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Under the Andes Rex Stout

Beginning The Dance


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"I am to ride with Desiree in the morning," said he, and the next moment was gone.

"Desiree!"

He called her Desiree!

I think I smiled for an hour over that; and, though my reflections were not free from apprehension, I really felt but little anxiety. Not that I underrated Le Mire's fascination and power; to confess the truth, my ease of mind was the result of my own vanity. Le Mire had flattered me into the belief that she was my friend.

A week passed--a dull week, during which I saw little of Harry and Le Mire not at all. At the time, I remember, I was interested in some chemical experiments--I am a dabbler with the tubes--and went out but little. Then--this was on Friday--Harry sought me out in the laboratory to tell me he was going away. In answer to my question, "Where?" he said, "I don't know."

"How long will you be gone?"

"Oh, a week--perhaps a month."

I looked at him keenly, but said nothing. It would have done no good to force him into an equivocation by questions. Early the next morning he departed, with three trunks, and with no further word to me save a farewell. No sooner was he gone than I started for the telephone to call up Le Mire; but thought better of it and with a shrug of the shoulders returned to the laboratory.

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It was the following Monday that was to see the first appearance of Le Mire at the Stuyvesant. I had not thought of going, but on Monday afternoon Billy Du Mont telephoned me that he had an extra ticket and would like to have me join him. I was really a little curious to see Le Mire perform and accepted.

We dined at the club and arrived at the theater rather late. The audience was brilliant; indeed, though I had been an ardent first-nighter for a year or two in my callow youth, I think I have never seen such a representation of fashion and genius in America, except at the opera.

Billy and I sat in the orchestra--about the twelfth row--and half the faces in sight were well known to me. Whether Le Mire could dance or not, she most assuredly was, or had, a good press-agent. We were soon to receive an exemplification of at least a portion of the reputation that had preceded her.

Many were the angry adjectives heaped on the head of the dancer on that memorable evening. Mrs. Frederick Marston, I remember, called her an insolent hussy; but then Mrs. Frederick Marston was never original. Others: rash, impudent, saucy, impertinent; in each instance accompanied by threats.

Indeed, it is little wonder if those people of fashion and wealth and position were indignant and sore. For they had dressed and dined hastily and come all the way down-town to see Le Mire; they waited for her for two hours and a half in stuffy theater seats, and Le Mire did not appear.

 
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Under the Andes
Rex Stout

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