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Under the Andes | Rex Stout | |
Beginning The Dance |
Page 5 of 6 |
The announcement was finally made by the manager of the theater at a little before eleven-o'clock. He could not understand, he said--the poor fellow was on the point of wringing his hands with agitation and despair--he could not understand why the dancer did not arrive. She had rehearsed in the theater on the previous Thursday afternoon, and had then seemed to have every intention of fulfilling her engagement. No one connected with the theater had seen her since that time, but everything had gone smoothly; they had had no reason to fear such a contretemps as her nonappearance. They had sent to her hotel; she was gone, bag and baggage. She had departed on Friday, leaving no word as to her destination. They had asked the police, the hotels, the railroads, the steamship companies--and could find no trace of her. The manager only hoped--he hoped with all his heart--that his frank and unreserved explanation would appease his kind patrons and prevent their resentment; that they would understand-- I made my way out of the theater as rapidly as possible, with Billy Du Mont at my side, and started north on Broadway. My companion was laughing unrestrainedly. "What a joke!" he exclaimed. "And gad, what a woman! She comes in and turns the town upside down and then leaves it standing on its head. What wouldn't I give to know her!" I nodded, but said nothing. At Forty-Second Street we turned east to Fifth Avenue, and a few minutes later were at the club. I took Du Mont to a secluded corner of the grill, and there, with a bottle of wine between us, I spoke. |
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Under the Andes Rex Stout |
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